Below are the top audio interfaces for iPad that come with lightning connectivity. They allow for convenient out-of-the-box use, forgoing the need to purchase usb to lightning adapters separately.
At time of publication, the Shure MVi was the highest rated Lightning Compatible iPad Audio Interface.
The Shure MVi is a compact and versatile audio interface that works well with different sound sources. It owes its versatility to its switchable recording mode, which lets you fine tune its Class A preamp for use with singing, acoustic instruments, speech and loud instruments. The 5th mode tunes the MVi to a basic flat setting, in case you want to go the warts and all approach. This interesting ability makes it easier for beginners to get good sounding recordings. The built-in DSP also lets you dial in dynamic and EQ settings to your preference, in case you want more control over the sound. Finally, all these features are packed well inside a solid but compact profile, making the MVi a true grab-and-go recording interface that matches the portability and flexibility of the iPad.
Specifications:
A/D Resolution: 24-bit/48kHz
Connectors: Lightning (Micro-USB to Lightning)
Simultaneous Channels: 1
Inputs: 1 x XLR-1/4″ Combo (Line/Hi-Z Level)
Outputs: 1 x 1/8″ Headphones
Power: Bus Powered (by IOS or USB)
Can charge IOS unit: No
Phantom Power: 12V (when using iPad power), 48V when using standard USB power
Pros
The market has mostly good things to say about the Shure MVi, with many praising its good balance of portability and sound quality. Ease of use and its rugged all metal chassis also get a lot of thumbs up. Many like the MVi’s form factor, saying that it is easy on the eyes, and on the pocket, both in terms of money and space. Satisfied users include singers, guitar players, podcasters, professional voice actors and more.
Cons
Note that the bundled Mini-USB to Lightning cable is not the same as standard USB to Lightning cables. This means that replacing the cable can be a bit of a hassle, thankfully there are specialized mini-USB to lightning cables available online which you can find with a bit of searching. Just make sure that you don’t lose the cable and you won’t have to deal with this minor issue.
Overall
The Shure MVi is a great interface for those who need good sound right away. The preset DSP per instrument helps you focus on your content rather than your settings. Get it if you need something you can grab and go. If you need more flexibility, there are other items on our list worth considering.
Focusrite iTrack Solo Lightning
The Focusrite iTrack Solo Lightning is an iPad and iOS compatible audio interface that comes in mini-rack form factor. It’s main selling point is its Focusrite mic preamps, which features the same quality as found on their more expensive models. The iTrack Solo Lightning is meant for the entry-level market, with its compact profile, streamlined features, and affordable price tag. As the label implies, this version comes bundled with a lightning cable, which connects it with the latest iPads out-of-the-box, in addition to connecting to Macs and PCs (via USB).
Specifications:
A/D Resolution: 24-bit/96kHz
Connectors: Lightning, USB
Simultaneous Channels: 2
Inputs:1 x XLR, 1 x 1/4″ Instrument input
Outputs: 1 x RCA Monitor Outs, 1 x 1/4″ Headphones
For the price, this audio interface does everything it is supposed to do, and it does all of them really well, and this is well attested to in reviews. Most of its high scores are from users who do vocal/speech related recordings. Many users also commend it for its solid build and intuitive design. With the Focusrite preamps trickled down from their higher end models, raw tracks sound pristine and lively.
Cons
There were a few who encountered clipping issues when recording guitars and other pickup-equipped instruments. Experienced users noted that gain adjustments can be a bit tricky at first, but should be a non-issue once you got the settings dialed in just right.
Overall
If you’re accustomed to the sound of Focusrite preamps and want something portable, the iTrack Solo is a good pick. Even if it’s your first or only interface, Focusrite’s preamps have a reputation in the industry as being one of the best. If good raw tracks are what you need, get it.
TASCAM iXR 2-ch Recording Interface
The Tascam iXR is the company’s iPad-centric audio interface. It was designed to function as a full featured interface with 2 XLR/TRS inputs with phantom power, gain control with up to +57db of gain and latency-free monitoring.
Specifications:
A/D Resolution: 24-bit/96kHz
Connectors: Lightning, USB
Simultaneous Channels: 2
Inputs:2 x XLR/TRS combo inputs
Outputs: 2 x TRS Monitor outs
Power: USB
Can charge IOS unit: No
Phantom Power: Yes
Bundled Software: Steinberg Cubase LE (Mac/Win) and Steinberg Cubasis LE (iOS)
Pros
Users appreciate how feature-rich it is compared to other interfaces at this price. Reviewers who are upgrading from a single channel interface like an iRig say the iXR is a good step up. Its two XLR inputs mean you can use two condenser mics at once; perfect for setting up interviews or podcasts.
Cons
Repeated concerns for the lack of a charging feature for mobile devices. This means that for continuous function, you need to keep both your mobile device and the interface plugged in. Drivers need updating out of the box.
Overall
The Tascam iXR is a good step up from using simpler audio interfaces specifically for guitar. Get it if you want a 2 XLR channel mobile interface that supports condenser mics.
Best iPad Compatible USB Audio Interfaces
These are top rated USB Audio interfaces that can work with the iPad via Apple’s Lightning to USB adapter, or Camera Connection Kit. These interfaces work with the iPad because they are USB audio Class Compliant which means they don’t need proprietary drivers. The standard USB adaptors won’t be able to charge your iOS device and generally won’t supply enough power to these interfaces so they will need their own power supply.
There’s no denying Yamaha’s reputation for quality and value for money, and the iPad-compatible AG03 is a great example. Far from being just another audio interface, this one comes with mixer-like functionality and multi-platform compatibility. The first channel features Yamaha’s popular D-Pre mic preamp, while the second channel lets you switch between Hi-Z instruments or line level sound sources. It also comes with impressive control options including a dedicated fader for channel 1. Other features include built-in DSP effects (reverb, compression, filtering) and Loopback, which lets you broadcast via realtime online streaming platforms. Note that since the iPad cannot provide enough power for the Yamaha AG03, you’ll need a USB 5V power adapter to get it running. Alternatively, you can connect the extra USB slot to a power bank for mobile use.
Specifications:
A/D Resolution: 24-bit/192kHz
Connectors: USB (Requires Lightning to USB Adapter)
Simultaneous Channels: 2
Inputs: 1 x XLR-1/4″ Combo, 1 x 1/4″ Hi-Z, 2 x 1/4″ Line Input
Outputs: 2 x 1/4″, 1 x Stereo RCA, 2 x 1/4″ Headset
Bundled Software: Cubase AI (Mac/PC), Cubasis LE (iOS)
Pros
Reviews show that it simplifies recording, podcasting and music production setups, and that it is useful in various situations, including video streaming, podcasting, recording, and more. Many also commend its clarity and zero latency operation.
Cons
There are a few who wish for extra features, but there are no notable complaints raised.
Overall
If you are in the market for a multiplatform audio interface that doubles as a mixer, the Yamaha AG03 is highly recommended. It’s familiar form factor takes very little space as well; perfect for your desktop setup.
The Steinberg UR22 Mk2 is a 2 in, 2 out USB 2.0 audio interface with D-PRE Class-A discrete mic preamps. Great converters and bundled Cubase AI and Cubasis LE ensures a smooth and uninterupted workflow and compatibility between software and hardware.
Specifications:
A/D Resolution: 24-Bit/192 kHz
Connectors: USB 2.0
Simultaneous Channels: 2
Inputs:2 x XLR/TRS Combo Jack
Outputs: 2 x TRS outputs
MIDI: I/O built in
Power:USB
Bundled Software:Cubase AI and Cubasis LE
Phantom Power: Yes
Pros
Users praise the unit’s solid build quality which makes it great for use in mobile setups. Very few reports of the unit breaking down from continued use exist and are usually from major accidents. Many prefer the coloration of the preamps over other brands like Focusrite.
Cons
Latency settings may need tweaking to fix audio dropouts as reported by some user reviews. Comments under these reviews usually helped them solve the problems. Preamps can be noisy with higher gain and low quality cables.
Overall
If you need something physically sturdy that you can bring throughout a tour, a mobile or field recording setup or just something you can bring to a friend’s to jam with, the Steinberg UR22 Mk2 is a good pick especially with the bundled software included.
Thanks to Audient, you can have a premium portable audio interface for under $200. The ID4 packs their class A mic preamp and JFET DI circuit into a compact and lightweight metal enclosure. It is designed to be class compliant, so it works with the iPad and other iOS devices, just as it does with Mac and Windows based computers. Since this unit is bus powered, you’ll need a powered USB Hub to get it working with the iPad. Thankfully, this slight inconvenience is minor compared to the benefits of utilizing Audient quality recordings on the go. Other features include zero-latency monitoring, mix and pan controls, 2 separate headphone outputs, and a console like interface.
Specifications:
A/D Resolution: 24-bit/96kHz
Connectors: USB (Requires Lightning to USB Adapter)
Simultaneous Channels: 2
Inputs: 1 x XLR-1/4″ Combo (Mic/Line), 1 x 1/4″ DI (Instrument)
Outputs: 2 x 1/4″ Monitor, 1 x 1/4″ Headphones, 1 x 1/8″ Headphones
MIDI: USB
Power: Requires USB Power Hub or Power Bank
Phantom Power: 48V (Channel 1)
Pros
The Audient ID4 continues to get acclaim from users with different experience levels, including musicians, voice over artists, home studio owners and many more. Most reviewers not only praise its performance, but go as far as recommending it for small home studios, or for those who do on-site mobile recording. The sound quality received the most commendation, followed by ease of use and portability.
Cons
There are a few users who had qualms about the ID4 resetting its headphone output settings when turned off, but still praised the unit for its solid build and transparent sound.
Overall
Overall, the Audient ID4 is the ideal portable audio interface for those who want to take advantage of the iPad’s mobility, without compromising sound quality.
Tascam Celesonic US-20×20
The Celesonic US-20×20 is a full-featured studio-ready interface with 8 XLR preamps and iOS compatibility. It can function as an audio interface, a mic preamp or even an iPad controlled mixer.
Specifications:
A/D Resolution: 24-bit/192kHz
Connectors: 8 x XLR, 2 x 1/4″ TRS Ins, 2 x TRS headphones output, USB 3.0/2.0
Simultaneous Channels: 12 Analog (Up to 30 via ADAT)
Inputs:8 x XLR-1/4″ combo (2 Mic/Instrument, 6 Mic/Line), 2 x 1/4″ TRS, 1 x Coax (S/PDIF), 1 x Optical (S/MUX)
Outputs: 10 x 1/4″ TRS, 2 x 1/4″ (headphones), 1 x Coax (S/PDIF), 1 x Optical (S/MUX)
MIDI: I/O Built in
Power: DC Power Supply
Phantom Power: Yes
Pros
People who wrote reviews based on use with their mobile devices noted that using the US-20×20 was hassle-free. Recording with low buffer sizes did not introduce any dropouts. Lots of headroom from the preamps and enough power to drive most headphones.
Cons
Due to the preamps being in front, The space for the knobs may be cramped. One reviewer noted that they wished it had a meter rather than just a single light to indicate signal. Power Supply is external rather than internal and may be an issue for portability.
Overall
If you’re looking to record a full band with several microphones on the go and on the cheap, the Tascam Celesonic US-20×20 is a great pick with only minor gripes.
German manufacturer RME enters this list with its class compliant portable audio interface, the Babyface Pro. This unit comes with many interesting features that easily set it apart from the competition, most notable of which is its extended range of 76dB, which increments in 1dB steps. This extra gain allow for improved clarity and compatibility with low level microphones. Another noteworthy feature is the redesigned XLR socket, which saves space and better secures connection. Of course the ADAT toslink connection, which allows the addition of 8 input/ouput channels via an ADAT audio interface, is a key feature those who might want to expand beyond the 4 input channels initially on offer. Other features include 2 mic preamps, hi-Z (instrument) and lo-Z (line) inputs and MIDI input/output. All of these features are packed inside a compact yet solid aluminum housing that’s equally at home in portable and home studio applications.
Specifications:
A/D Resolution: 24-bit/192kHz
Connectors: USB (Requires Lightning to USB Adapter)
Simultaneous Channels: 4 (Up to 12 via ADAT)
Inputs: 2 x XLR, 2 x 1/4″, 1 x ADAT toslink
Outputs: 2 x XLR, 1 x 1/4″ Headphones, 1 x ADAT toslink
MIDI: In/Out via Breakout Cable
Power: DC Power Supply or USB Bus Powered
Bundled Software: TotalMix FX
Phantom Power: Yes
Pros
Market response to the RME Babyface Pro continues to be overwhelmingly positive, which is impressive considering its premium price tag. It gets most of its commendation from users who are impressed with its excellent headroom and clarity. And while many bought the RME for portable use with their iPads, it has been reported to be equally viable in home studios, especially with it premium look and space saving size.
Cons
The price tag is on the higher end for the average home studio enthusiast and mobile producer, but those who have bought the Babyface Pro found the premium cost justifiable. Having to use proprietary breakout cables were frowned upon by a few users, but they do understand that this is a necessary compromise to make the unit smaller and lighter.
Overall
If you’re going for a premium audio interface that’s portable, the RME Babyface Pro is a great pick that’s not only easy to bring to your next recording session, jam, or gig, but also looks at home next to your minimalist home recording setup.
RME Fireface 802 USB Audio Interface
The RME Fireface 802 is a premium audio interface meant for professional Firewire-based studio use, with up to 30 channels available for use along with built-in DSP features. It has 12 analog inputs, four of which feature RME’s popular mic preamps, while the unit’s instrument inputs add to its overall routing flexibility. As the name implies, this digital interface is primarily designed to connect to Firewire ports, but it is also compatible with USB devices like the iPad. Finally, the RME Fireface 802 allows for latency-free monitoring with built-in effects that include EQ, dynamics, reverb, and delay.
Specifications:
A/D Resolution: 24-bit/192kHz
Connectors: 1 x FireWire 400, 1 x FireWire 800, 1 x USB Type B
Simultaneous Channels: 12 Analog (Up to 30 via ADAT)
Inputs: 8 x 1/4″ TRS, 4 x XLR-1/4″ Combo, 2 x XLR ADAT, 1 x XLR (AES/EBI)
Outputs: 8 x 1/4″ TRS, 2 x Optical (ADAT), 1 x XLR (AES/EBU)
MIDI: In/Out via Breakout Cable
Power: DC Power Supply
Bundled Software: TotalMix FX
Phantom Power: Yes
Pros
Overall market response continues to be positive, with users pointing to its clean and transparent sound as its best feature. A lot of users also appreciate the RME Fireface 802’s connection options, which makes it viable for professional use. Satisfied reviewers come from different backgrounds, from DJs to musicians to recording engineers.
Cons
Still, the price tag is over the budget for many, but those who invested in it have nothing but good words to say about the value that it adds to their music production process.
Overall
Once again, RME delivers tasty premium goodness in the form of the Fireface 802. If you want to record multiple sound sources and don’t mind sacrificing portability, the Fireface 802 is the best pick for those looking for top-tier equipment.
What to Look for in an iPad Audio Interface
Lightning Compatible Audio Interfaces
While many USB audio interfaces can work with the iPad via Class Compliant mode, they require certain accessories to work and can be a bit complicated to setup. Thankfully, there are interfaces built to work directly connecting with the iPad, complete with Apple’s proprietary Lightning Connectors. They are the best choice if you want to avoid the complications of having to buy adapters. Note that older iPads use older 30-pin connectors, so be sure to check whether the interface you’re buying support these.
Class Compliant USB Audio Interfaces
These are audio interfaces that utilize industry standard USB drivers to work, and as such they work seamlessly with multiple operating systems, including iOS. While being able to switch between your iPad and your computer is a good thing, they will require you to buy an Apple USB Camera Adapter to connect to the lightning interface on you iPad. The main accessory people use is the Apple’s Lightning to USB Camera Adapter or the Apple iPad Camera Connection Kit (for older 30 pin devices). More recently the Lightning to USB 3.0 Camera Adapter has become available and although it’s a bit pricier it does allow you to charge you’re iPad while connected to USB which isn’t possible with the other two. Note that USB interfaces generally won’t be able to draw enough power via these USB adapters to operate so see the following section on power consumption.
Power Consumption
The iPad is designed to limit the amount of power supplied to external devices, and while this can preserve battery life it also presents challenges for said external devices. This is the reason why most audio interfaces made specifically for the iPad required their own power, a few are even capable of charging your iPad, making them ideal for long recording sessions. Those interfaces that are ‘bus powered’ have to contend with the iPad’s limited power so they tend to be small one channel interfaces and features like phantom power are scaled down, if not totally turned off. That said, they are the most convenient and portable options you find.
When it comes to compatible USB interfaces connected through a lightning adapter, you will generally need another supply of power. Interfaces that are USB bus powered will usually not get enough ‘bus power’ via the lightning adapter to function. This is where interfaces that can use their own power supply come in handy. The solution for interfaces that can only be USB ‘bus powered’ is to use a powered USB hub and although this works it does add another box and cable to your setup which can reduce the portability and convenience of the setup. Check out the video below on how to connect bus powered interfaces with the iPad:
Input Compatibility
If you’re planning to record vocals and other instruments, you’ll want one that comes with both 1/4″ and XLR inputs. Note that electric guitars, basses and other instruments require a higher impedance than line level inputs even though they use the same 1/4″ connection. So look out for connections or switches labelled ‘Instrument’ or ‘Hi-Z’ to see if an interface can handle these properly. A workaround for this is to use a DI Box before going into the audio interface. Another important consideration is 48V phantom power capability, which is the standard when you’re planning to use condenser microphones. Some interfaces also provide ADAT connections to allow you to add up to 8 extra tracks via a separate ADAT audio interface.
Mic Preamp Quality
Thankfully, many of today’s affordable audio interfaces come with the same mic preamps as their expensive counterparts. This means that even in the entry level market, you are getting really good sound quality. If you’re looking for tried and tested preamps, brands like Focusrite, Audient, Yamaha and more have iPad friendly interfaces that provide top notch sound recording, worthy of being included in the final mix.
Best iPad Audio Interface Selection Methodology
This guide was first published on February 18, 2016 written by Alexander Briones. The latest major update was published on October 30, 2019 written by recording engineer Raphael Pulgar with contributions from Alexander Briones.
For this update, we looked at best sellers and top rated iPad compatible audio interfaces, including those that are compatible with Apple’s Lightning cable, and those that are class compliant – iOS compatible. We ended up with a slightly longer list of viable interfaces, which resulted in us gathering over 7,900 relevant sources that included reviews, ratings, forum discussions and similar feedback sources. All these data were then fed to the Gearank algorithm to give us the scores that we used to identify the best audio interfaces that are worth recommending. We divided the list into Lightning Compatible and iPad Compatible USB sections. For more information about this process see How Gearank Works.
